Stuttgart, Kultur- und Kongresszentrum Liederhalle Gothenburg Symphony plays in Stuttgart

Frédéric Chopin (1810–1849) Piano Concerto No. 1 Allegro maestoso Romanze - Largetto Rondo – Vivace Chopin's piano concerto in E minor was published in 1833, and "the second" in F minor in 1836 (although he had already composed it at age 19). Both reflect his fondness for Bellini's operas, especially Norma, whose ornaments he adapted and personified. The main theme is introduced by the orchestra at considerable length, adding to the tension. Once the piano enters, glowing lyrical ornaments follow. Chopin was sometimes criticized for focusing more on the strength of the piano than on the qualities of the orchestra, but this probably contributed to his success with audiences. The second movement is slow and caressing. Chopin wrote under the composition: "I am using muted strings - I wonder how they will sound?" He described the largetto as having "a romantic, calm and rather melancholic character ... a kind of moonlight dream on a beautiful spring night." The main theme of the rondo in E major has been likened to a polka or krakowiac (also a dance). Chopin modulates to A major, and before the refreshing final clip, he moves into E flat, then B flat in the section's return. The Piano Concerto in E minor was first performed in Warsaw in 1830 with Chopin as soloist, shortly before he left his homeland for Paris and never returned.

Peter Tchaikovsky (1840-1893) Symphony No. 6 Pathetique Op 74 Adagio;Allegro non troppo - Allegro con grazia - Allegro molto vivace - Finale:Adagio lamentoso Few symphonies contain as many outbursts of emotion and sudden mood swings as Tchaikovsky's Sixth, with the telling title Pathétique ("passionate suffering"). It reflects his manic-depressive personality, he suffered throughout his life from crises and often struggled with illness and depression. Tchaikovsky's death in Saint Petersburg, just nine days after he conducted the premiere, also gave the work a tragic aura right from the start. It was even said that the music deliberately foreshadowed his own death, which occurred after he drank cholera-tainted water. Even today, musicologists disagree whether it was an accident or a forced suicide, to avoid public scandal as a homosexual. Is the sixth symphony really a self-composed requiem? This theory is fueled by the "dark" key of B minor, which stands for great passion and tragedy, and by the unusual structure. The main motif that runs throughout the work consists of a plaintive, descending second interval. The gloomy character of the symphony is clear already in the first movement, with its slow, dark introduction. The second movement is reminiscent of Don José's flower aria from Bizet's opera Carmen, which Tchaikovsky greatly admired. Towards the end of the movement there is a chorale-like funeral march, and even a quote from the Russian Orthodox funeral liturgy. The second movement provides some lightening, and Tchaikovsky wrote it in an elegant 5/4 time signature, which is a fairly common time signature in Russian folk music. The "limping" character makes the movement almost humorous, despite the loving waltz or minuet-like style. In the third movement he returns to the march as idea, but it begins as an cheerful scherzo that gradually unfolds in its full life-affirming power. The fourth movement is the most famous in the symphony, and is partly reminiscent of a mournful requiem. The main theme is characterized by sighing motifs, and at the end the music fades into a low string chord in B minor. Tchaikovsky considered the symphony to be his most important, most personal composition, but the premiere was received cautiously.

The Gothenburg Symphony was formed in 1905 and today consists of 109 musicians. The orchestra's base is Göteborgs Konserthus, the funk gem at Götaplatsen that has gathered music lovers since 1935. Since the 2017-2018 season, Santtu-Matias Rouvali has been Chief conductor of the Gothenburg Symphony. Since the 2019-2020 season, Barbara Hannigan is Principal guest conductor. We are also a proud partner of Barbara Hannigan's Equilibrium mentoring program focusing on young singers at the start of their careers. Wilhelm Stenhammar was the orchestra's chief conductor from 1907 to 1922. He gave the orchestra a strong Nordic profile and invited colleagues Carl Nielsen and Jean Sibelius to the orchestra. Under the direction of conductor Neeme Järvi from 1982-2004, the orchestra made a series of international tours as well as a hundred disc recordings and established themselves among Europe's leading orchestras. In 1996, the Swedish Riksdag appointed the Gothenburg Symphony as Sweden's National Orchestra. In recent decades, the orchestra has had prominent chief conductors such as Mario Venzago and Gustavo Dudamel, following Kent Nagano as Principal Guest conductor. Anna-Karin Larsson is CEO and artistic director, Gustavo Dudamel honorary conductor and Neeme Järvi chief conductor emeritus. The orchestra's owner is the Västra Götaland Region. The Gothenburg Symphony works regularly with conductors such as Herbert Blomstedt, Joana Carneiro, Jukka-Pekka Saraste, Christian Zacharias and Anja Bihlmaier.

The 2024-2025 season is Santtu-Matias Rouvali’s final as a Chief Conductor of Gothenburg Symphony following a successful eight-year tenure. He continues as a Principal Conductor of Philharmonia Orchestra and a Honorary Conductor of Tampere Philharmonic Orchestra close to his home in Finland. In 2023, Rouvali toured with the Gothenburg Symphony and violinist Arabella Steinbacher in Salzburg and Vienna. Concerts in Gothenburg in the 2023-2024 season included music by Boulanger, Saariaho, Tchaikovsky and Beethoven. He also led the Gothenburg Symphony in the European premiere of Julia Wolfe's choral drama Fire in My Mouth, as well as sold-out concerts with Stravinsky's Rite of Spring and Rachmaninoff's 2nd Piano Concerto. Deepening his strong relationship with New York Philharmonic, summer 2024 marked Rouvali’s first appearance at Bravo! Vail Festival with the orchestra and soloists Jean-Yves Thibaudet and Augustin Hadelich. The summer also saw Rouvali and Philharmonia Orchestra continue their residency in Mikkeli, Finland, and return to Edinburgh International Festival, performing Verdi’s Messa da Requiem. Throughout this season and last, he continues his relationships with top-level orchestras and soloists across Europe, including Munich Philharmonic, Berliner Philharmoniker, Orchestre Philharmonique de Radio France, Deutsches Symphonie-Orchester Berlin, Orchestra dell'Accademia Nazionale di Santa Cecilia, Royal Concertgebouw Orchestra, and he returns to North America for concerts with New York Philharmonic. This season, he also appears with Chicago Symphony Orchestra and Tonhalle-Orchester Zürich. Rouvali works with many international soloists including Bruce Liu, Lisa Batiashvili, Seong-Jin Cho, Nicola Benedetti, Jean-Yves Thibaudet, Nemanja Radulovic, Stephen Hough, Augustin Hadelich, Nikolai Lugansky, Christian Tetzlaff, Gil Shaham, Baiba Skride and Ava Bahari. Rouvali’s end of tenure with Gothenburg Symphony is marked by a tour to Germany and Czech Republic, followed up by a celebration concert in Gothenburg. He completes his Sibelius Cycle recording with Alpha Classics, the previous releases of which have been highly acclaimed with awards including Gramophone Editor’s Choice award, the Choc de Classica, a prize from the German Record Critics, the prestigious French Diapason d’Or ‘Découverte’, and Radio Classique’s ‘TROPHÉE’. Rouvali also has an extensive record production with Philharmonia Records. Another prominent CD – Beethoven’s Triple Concerto with Benjamin Grosvenor, Nicola Benedetti and Sheku Kanneh-Mason – was released on Decca in May 2024.

The Canadian pianist Jan Lisiecki has been on the world's biggest stages for almost two decades. This season he returns to the Boston Symphony, London Philharmonic, Munich Philharmonic, Pittsburgh Symphony and Seattle Symphony. He leads the Academy of St Martin in the Fields on tour and is Artist in Residence at the Toronto Symphony Orchestra. He performs his acclaimed solo program at La Scala in Milan, Théâtre des Champs-Élysées in Paris, San Francisco's Herbst Theatre, BOZAR Brussels and Klavier-Festival Ruhr. A duo program WITH Mozart, Beethoven and Schumann together with Julia Fischer takes him to arenas all over Europe and the USA. Jan Lisiecki got an exclusive recording contract with Deutsche Grammophon at the age of 15. His nine albums have been awarded the JUNO Award, ECHO Klassik, Gramophone Critics' Choice, Diapason d'Or and Edison Klassiek. At the age of 18, he received both the Leonard Bernstein Award and Gramophone's Young Artist Award. He visited the Gothenburg Symphony Orchestra for the first time as a 16-year-old. This time he accompanies the orchestra on tour to Stockholm, Prague and Stuttgart.